Category: review

  • Focal Solo6 Be Studio Monitors: A Timeless Contender

    Focal Solo6 Be Studio Monitors: A Timeless Contender

    For nearly two decades, the Focal Solo6 Be studio monitors have remained a staple in professional and project studios alike. When they first hit the market, they were instantly recognizable, perched on the console bridge in nearly every Mix Magazine cover shot. Their reputation for accuracy, clarity, and durability made them a must-have for engineers and producers looking for reliable nearfields that could translate mixes with confidence.

    Today, the Solo6 Be is still a serious contender in the world of studio monitoring, offering exceptional performance at prices that are now surprisingly reasonable on the used market. At my studio, Rockscience, we’ve relied on a pair of these monitors for the past 20 years, and despite their age, they continue to impress. In the last three years, we’ve replaced the amplifiers in both units, but thanks to the availability of used parts and single replacement monitors, keeping them in top shape has been a straightforward process.

    First Impressions and Build Quality

    When I first set up the Focal Solo6 Be monitors in my studio, one thing became immediately apparent: I was mixing at lower volumes than ever before. The level of detail and resolution these monitors provided at reduced listening levels was nothing short of remarkable. Unlike other monitors that seem to lose clarity and articulation when played softly, the Solo6 Be maintains a full spectrum of frequencies with an incredible sense of balance. This means you don’t have to crank them up to make critical mix decisions, reducing ear fatigue during long sessions.

    That said, these monitors love to be loud too. Push them, and they deliver powerful, uncolored, and dynamic sound with surprising authority for a speaker of their size. Their 6.5” “W” composite sandwich cone woofer and Focal’s signature Beryllium inverted-dome tweeter produce an incredibly detailed and balanced response across the spectrum, ensuring that your mixes translate well to other systems.

    The build quality of the Solo6 Be is as solid as it gets. The cabinets are dense and well-damped, eliminating unwanted resonances. The front-firing bass port keeps the low-end tight and focused, even when placed near walls or in smaller rooms. These monitors were built to last, and our pair has stood the test of time without any structural issues.

    Sound Performance and Mixing Experience

    Low-End Clarity

    One of the most impressive aspects of the Solo6 Be is its low-frequency accuracy. Unlike many nearfields that either hype or suppress the bass, the Solo6 Be delivers an incredibly natural and defined low-end. The tight, controlled bass makes it easy to judge low-end balance in a mix without needing a subwoofer. You won’t get the kind of extended low-frequency response that larger three-way systems or dedicated sub setups offer, but for most mixing and tracking applications, these monitors provide all the low-end clarity you need.

    Midrange Precision

    The midrange is where the Solo6 Be truly shines. Vocals, guitars, synths, and percussive elements come through with exceptional detail and presence. If there’s any buildup in the mids, you’ll hear it immediately. This precision makes it easy to dial in EQ and compression decisions with confidence. If your mix sounds good on these, it’ll sound good just about anywhere.

    High-End Detail

    Thanks to the Beryllium tweeter, the high frequencies on the Solo6 Be are crisp, open, and highly detailed, without ever sounding harsh or fatiguing. Many tweeters in studio monitors can introduce artificial brightness that may mislead your mixing decisions, but the Solo6 Be delivers a natural top-end that allows you to hear subtle reverb tails, transient details, and harmonic textures with clarity.

    Stereo Imaging and Depth

    The stereo imaging on these monitors is outstanding. The soundstage is wide, deep, and precise, allowing you to place instruments in a mix with pinpoint accuracy. Panning decisions are effortless, and the sense of front-to-back depth makes it easy to judge reverb and spatial effects. The transient response is incredibly fast, which helps reveal subtle dynamics and micro-details that can often be missed on less revealing speakers.

    Reliability and Longevity

    As mentioned earlier, our pair of Solo6 Be monitors at Rockscience has been in service for 20 years, and they’re still going strong. The only major maintenance we’ve had to perform was replacing the amplifiers in both units within the past three years. Thankfully, finding replacement parts was relatively simple due to the availability of used units on the market. If you ever experience a driver or amplifier failure, picking up a single used monitor for spare parts is an affordable and effective solution.

    Rear Panel

    This kind of longevity is a testament to Focal’s commitment to quality and engineering. Many monitors from the same era have long since fallen out of favor due to aging components or outdated designs, but the Solo6 Be remains a respected and relevant choice.

    The Used Market: A Hidden Gem

    One of the biggest advantages of the Solo6 Be today is its affordable presence on the used market. Given their durability and repairability, picking up a used pair can be an incredible value. Many high-end studio monitors depreciate significantly over time, and while newer models like the Focal Shape series or the Trio6 Be have introduced modern innovations, the Solo6 Be still holds its own against most competitors.

    If you’re considering a pair, here are a few tips for buying used:

    1. Test both monitors together – Ensure there are no major tonal imbalances between the two speakers.
    2. Listen for amp noise – Some aging units may develop amplifier hiss or hum, which could indicate worn components.
    3. Inspect the tweeters and woofers – Check for damage, as replacement drivers can be costly.
    4. Confirm amplifier functionality – If one monitor has a faulty amp, make sure you can source a replacement.
    5. Look for single-unit deals – If you already own a pair and need spare parts, picking up a single used monitor is a cost-effective way to keep them running for years.

    Final Thoughts: Still a Top Choice

    The Focal Solo6 Be has proven itself to be one of the most reliable, detailed, and versatile nearfield monitors ever produced. Two decades after their debut, they continue to be a go-to choice for engineers and producers who demand clarity, precision, and longevity in their monitoring setup.

    At Rockscience, our Solo6 Be monitors have been essential tools in countless projects, and we have no plans to replace them anytime soon. Whether you’re buying them new (if you can find them) or picking up a well-maintained used pair, you’ll be investing in a piece of monitoring history that still competes with some of the best modern options available today.

    If you’re looking for monitors that have truly stood the test of time, the Focal Solo6 Be should absolutely be on your radar.

  • PreSonus FaderPort 16 Review: Compact, Versatile, and Powerful

    If you’re in the market for a compact yet powerful control surface, the PreSonus FaderPort 16 is a serious contender. Designed to give hands-on control over your DAW, this motorized fader controller provides an impressive balance of functionality and footprint, making it an excellent choice for home studios and professional setups alike. It supports multiple protocols, delivers smooth and quiet fader action, and features a solid, well-built button layout that enhances workflow efficiency. Whether you’re using Pro Tools in HUI mode or Cakewalk/SONAR in Mackie mode, the FaderPort 16 integrates seamlessly, providing an intuitive and responsive experience.

    Design & Build Quality

    At first glance, the FaderPort 16 looks sleek and professional, with a clean layout that maximizes its compact footprint. Despite offering 16 touch-sensitive, motorized faders, it remains relatively small compared to larger control surfaces, making it ideal for those who need a lot of tactile control without dedicating too much desk space.

    The build quality is impressive. The buttons feel solid and responsive, with a satisfying tactile click that assures you of every press. This is particularly important in fast-paced mixing environments where accidental double presses or mushy buttons can be frustrating. The faders move quietly and smoothly, which is a huge plus compared to some competing surfaces that tend to generate distracting motor noise.

    Multi-Protocol Support: A Big Win for Compatibility

    One of the standout features of the FaderPort 16 is its multi-protocol support, allowing it to work seamlessly with various DAWs. It operates in:

    • Native PreSonus Mode (ideal for Studio One users, offering the deepest integration)
    • Mackie Control Mode (compatible with DAWs like Cakewalk/SONAR, Cubase, and Logic Pro)
    • HUI Mode (for Pro Tools and other HUI-compatible DAWs)

    This level of flexibility makes it an attractive option for producers and engineers working across multiple DAWs.

    Performance & Functionality

    Smooth & Quiet Motorized Faders

    The 16 motorized faders are touch-sensitive, ensuring precise control over your mix. Unlike some other control surfaces that can be noisy when adjusting automation or switching banks, the FaderPort 16’s faders operate very quietly. This is a major advantage, especially in studio environments where minimal noise is crucial.

    Each fader also provides 100mm of travel, allowing for fine-tuned adjustments that feel much more natural than using a mouse. The faders respond quickly to automation playback, keeping up with even the most intricate mix moves.

    Positive, Solid Button Action

    Every button on the FaderPort 16 feels tactile and solid, offering positive feedback with every press. This is especially noticeable when using frequently accessed controls like solo, mute, and automation functions. Unlike some control surfaces where buttons can feel soft or unresponsive, the FaderPort 16 ensures that each press is deliberate and reliable.

    Seamless Integration with Pro Tools (HUI Mode)

    For Pro Tools users, the FaderPort 16 works efficiently in HUI mode. You get full control over track levels, panning, transport, and automation. While HUI doesn’t provide as deep an integration as PreSonus’ native mode with Studio One, it still makes a huge difference in workflow, especially when dealing with multiple tracks. Bank switching is smooth, and the faders follow automation data accurately.

    Excellent Performance in Cakewalk/SONAR (Mackie Mode)

    If you use Cakewalk or SONAR, the FaderPort 16 operates in Mackie Control mode, providing excellent hands-on control over mixing. The transport, navigation, and automation controls work flawlessly, making mixing much faster and more intuitive than relying solely on a mouse.

    Customization & Workflow Enhancements

    Beyond basic fader control, the FaderPort 16 provides a host of features that enhance workflow:

    • Dedicated Transport Controls: Play, stop, record, fast forward, and rewind at your fingertips.
    • Session Navigation: Quickly scroll through tracks and banks with intuitive navigation controls.
    • Automation Control: Easily toggle between read, write, latch, and touch automation modes.
    • User Assignable Buttons: Customize functions to suit your workflow.
    • Pan & Plugin Control: The pan knob allows quick adjustments, and in some DAWs, you can use it to tweak plugin parameters.

    These features make the FaderPort 16 more than just a fader controller—it’s a full-fledged mixing assistant.

    Pros & Cons

    Pros:

    Compact and well-designed—offers 16 motorized faders without taking up too much desk space.

    Smooth, quiet fader operation—virtually noiseless movement.

    Solid, tactile buttons—positive feedback and responsive action.

    Multi-DAW compatibility—works in PreSonus Native, Mackie Control, and HUI modes.

    Seamless integration with Pro Tools (HUI) and Cakewalk/SONAR (Mackie).

    Excellent automation control—touch-sensitive faders accurately follow automation.

    User-friendly interface—intuitive and easy to navigate.

    Cons:

    ❌ Small LCD scribble strips— this is the tradeoff of having 16 channels of control is such a small footprint.

    ❌ Some advanced functions are DAW-dependent (best integration is with Studio One).

    ❌ No motorized pan knobs—panning is controlled via a single encoder.

  • Fralin P90 Noiseless Review

    Fralin P90 Noiseless Review

    A Game Changer for P90 Lovers

    For guitarists who love the gritty, dynamic tone of a classic P90 but struggle with the infamous 60-cycle hum, the Fralin P90 Noiseless pickup is a game-changer. At Rock Science (rockscience.net), we put this pickup to the test in a detailed before-and-after audio comparison, measuring the actual noise reduction—and the results were staggering.

    🎸 Watch the Full Review & Sound Test Here:
    📺 Fralin P90 Noiseless Review & Installation

    How Much Noise Does the Fralin P90 Noiseless Eliminate?

    Using a Gibson Melody Maker as our test guitar, we recorded both the stock P90 pickup and the Fralin P90 Noiseless under identical conditions. The difference? Over 20dB of noise reduction—without sacrificing the legendary P90 tone.

    Crisp highs, punchy mids, and rich harmonic overtones
    Massive noise reduction (over 20dB less hum!)
    Authentic P90 growl—without the buzz

    If you’ve ever played a P90-equipped guitar in a high-gain or live setting, you know how frustrating hum can be. This upgrade preserves everything you love about the P90 sound while eliminating the noise issue.

    Inside the Video: Installation & Sound Test

    In the video, we walk through:
    🔧 Step-by-step installation – Swapping the stock pickup for the Fralin P90 Noiseless.
    🎚️ Recording setup – Ensuring an accurate, unbiased comparison.
    🎵 Before & after sound clips – Hear the difference yourself.

    With nearly 8,000 views and climbing, the video is helping guitarists make an informed choice about upgrading their P90 tone.

    Is the Fralin P90 Noiseless Worth It?

    For anyone looking to keep the soul of a P90 while solving its biggest flaw, the Fralin P90 Noiseless is an outstanding investment. It’s a must-have for recording, gigging, or high-gain playing, where noise can become an issue.

    Want to learn more about pro audio, custom gear, and studio recording? Visit rockscience.net for more in-depth reviews and recording insights.